foxy progress

This weekend I picked up my foxy embroidery again. I was sitting on the front porch with some friends and felt I wanted a relaxing thing to do with my hands. I actually have not worked on this in quite a while, but it has been on a side table in my bedroom waiting patiently. I think I haven't wanted to approach working on filling in that fox. Ugh. But I didn't have a knitting project started, and the hand quilting project was just way too big to bring down so I grabbed this project bag and ended up enjoying the return. 

I continued this evening while watching some Missouri Star YouTube. They had Anna Maria Parry on, my favorite fabric designer, so a must-see for me. I enjoyed the projects I saw and her way of teaching and on-camera personality did not disappoint. I puttered around doing some of the finishing on the flowers - even some French knots! I have now gotten to the point where my only things left are the brown accents on the flowers, which use colors that also accent and appear in the fox, and a cloud of lime green French knots at the top. I'm not sure which I will do first, the fox or the knots, but it's a toss up which one I will grit my teeth through more. 

I think I'll stick with the floral finishing touches for now! 

brambles, finished

Monday's photoshoot also included this lovely finish. I've mentioned the story before, but to recap, I started this piece as a simple (mostly) garter stitch project that I could take to knit night at my local yarn store, figuring I could split my attention between talking and this with little consequence. The yarn is a gray wool I got at the King's Mountain Art Fair at some point and a beautiful variegated cotton that I got from my brother's family for a birthday (along with the cake that turned into my North Sea Ombre wrap. The variegated yarn was over 1000 yards and demanded a great project to showcase the shades. 

I chose a Melanie Berg design from her book Colorwork Shawls that made use of two gradient yarns and just decided the gray was enough as it was. Soooo glad I did! The pattern was perfect for this combination. Well, nearly. I was hoping to use up every last bit of the gradient yarn cake but I have a bit of the darkest purple left. I did consider doing an extra repeat of the lace edge but just couldn't face more lace by the time I was done with the repeats as written. 

I chose not to block it - I don't think it needs it. I'm loving that it's mostly cotton which gives the fabric a great drape and weight and will mean I can likely wear this without itching too much. I do love to knit and wear shawls but so often I end up with red and irritated skin on my neck. It's got quite a wingspan. I have not measured my piece, but the pattern states 7.5 feet along the edge and just about 3 feet deep. I'd say I have that here, and these wonderfully big sizes are a hallmark of all of the Melanie Berg patterns I have made. They take me a long time but end up being such wonderfully architectural pieces that I find it rewarding to finish and I get a kick every time I pull one out to wear. 

Pattern: Grellow is a State of Mind, by Melanie Berg (my Ravelry page) 

Needle: US 3

Yarn: Scheepjes Whirl in 'brambleberry' and Serendipidye King's Mountain Sock in 'smoke' 

shift cowl, finished

I got some great photos of my mom's Shift cowl today. The bright colors were a pleasure to work with through the winter and spring and are now popping in the summer garden. Mom has always had a knack for choosing great colors. We bought these on her trip out here in November. I took her to the local yarn store, which was I think my first time meeting the new owner Kristi who is delightful. In fact much of this was stitched at the Wednesday evening knit group at the shop that I took a leap and started going to this winter - a fun and encouraging group of ladies! I digress. Mom and I saw a sample worked up at the shop and the construction plus the combination of variegated yarns caught both of our eyes.

Mom chose just one variegated yarn, which actually had its own surprise way of working up here. It started out with a lot of fuchsia and turquoise and morphed into that bright blue you see down at the end. So interesting! The other two colors she picked were solids, a bright lime green and a soft toned light purple. They ended up looking quite eye catching together, even if the light purple gets a little lost in the photos. It shows up in person, promise. 

The construction on this piece was pretty creative. It's worked diagonally from a tiny start to a long finish and then seamed up the back to make kind of a bandana shape. You pop it over your head and voila, instant wrapped scarf look without the pesky ends and without worrying about it coming undone as you move about your day. Honestly the seam wasn't that stellar on mine, there was a bit of fudging, but it turned out looking fine. 

We picked out all cotton yarns and I have to say I really like the weight that gives the piece. It will also mean it won't be itchy, and perhaps may even be wearable in the warmer months in Chicago. I could definitely see this peeking out of a winter coat as a fun accessory. 

Pattern: The Shift, by Andrea Mowry (my Ravelry page) 

Yarn: Berroco Modern Cotton DK in 'bristol' (lavender) and '1659' (lime green) and Urth Uneek Cotton in 1074 (purple and blue variegated) 

Needle: US 5 (3.75 mm)

a hand quilting adventure

Yesterday felt like the day to start hand quilting this quilt. Watching a recent video from Pin, Cut, Sew on YouTube got me over the activation barrier and back to thinking "how hard can it be to freehand Baptist fans, anyway?" She does make it look so easy. This may take a while, but I think it will be fun and that I will like the end result a lot more than I would have liked any kind of machine quilting, especially any that I would have been able to attempt on my machine given how large this thing is. 

Pretty tickled that I found a hand quilting thread color that so closely coordinates with the colors. I hesitated a bit thinking the bright blue would be distracting across all the purple sections, but that fear was misplaced. The thread is thin enough that it really doesn't 'pop' the same way pearl cotton would. I'm not doing tiny tiny stitches, but they are close enough together that the pleasant pucker of hand quilting shows up. I am also taking advantage of the structure of the blocks to help me gauge my arcs in a semi-regular manner. Each arc is the width of that HST in the bottom right corner of the churn dash block. Those blocks have geometry where it's easy to see the next arc, and for the other blocks I have fashioned a marking tool using a compass and a knitting needle. The knitting needle marks the fabric with grooves, more like a Hera marker would, and it fits nicely in the pencil holder fixture on the compass. For the wider arcs it's a bit of an imperfect science because the compass is actually too small to open wide enough from the "origin" corner, but I have figured out a work around and the tool does the job much nicer than my eyeballing would. 

So far I am happy with this decision and confident it will look good. Will see in a few weeks if I still feel the same way! It would be nice to have this done by the end of the year, but I won't hold myself to it. I am very pleased to have this stage started, though. 

brambles off the needles!

You guys. I just finished binding off the edge of my "Grellow is a State of Mind" shawl by Melanie Berg. I last updated on this in March when the gradient went from blue to an exciting hint of purple. These projects are huge and have always been a long haul whenever I've cast on. This was no exception - just over 6 months to get it done. I've called it Brambles after the name of the gradient yarn, which is Brambleberry, a Scheepjes Whirl cake. 

This wonky shot is the best I could do for a quick photo to share with the knitting group I'm in, and it's a passable show of the beautiful gradient of the main yarn. Improved photos to come, also including my finished and seamed Shift cowl that's been sitting around waiting for glamour shots. But hooray for a finish!

cross stitchin' away

I started this sometime in early May, just around the time of horse show distraction I think, and haven't shared it yet. I'm in the midst of a fun and sassy cross stitch project that I found in one of the books I checked out of the library this Spring. Most of the stitching has been in the latter half of June. 

Getting through the lettering and one complete plant feels like I am no in the homestretch. The problem is that whenever I want to work on it, it's evening, and I can't see the stitching as well as I can during the day. I used to wonder at my mom when she said "I can't do light colors at night". Ummmmm. I get it now. Darn.

blocking shift

Some of the sections felt like they would never end, but it's finally off the needles! 

I am blocking it to the measurements in the pattern, which looks a bit long in the point to me, but I'm going to not deviate from what I'm told. It should all work out in the end. Given the cotton yarn, I don't think doing the seam up after this is dry is going to be too much trouble. I think the pattern even tells you what technique to use, which is a bonus. 

Now to wait for it to dry!

half birthday eve finish

Last night I put the last hand stitch in the binding of the friendship braid quilt that's taken a very long time to come into being. Better pictures to come in not-evening light, but suffice to say that it's really gratifying to have this one checked off the to-do list. And just in time for my half birthday! 

Gnarley

This guy is pretty rustic looking. I bet he likes to camp and makes a really good bonfire breakfast. Meet Gnarley, my April gnome for the Year of Gnomes by Imagined Landscapes over on Ravelry. 

This was the first pattern I made out of the Gnomes of Grimblewood book I got at the gnome workshop in February, and it was pretty fun. It did take me until the very last day of the month to get everything stuffed and assembled. Somehow I thought this would be a quick one, but I think I am just slow on double pointed needles with tiny yarn. This may also mean I am not going to do a gnome a month - I need a break to work on other things (like so. many. concerts. coming up). 

I used leftovers for this guy. The body is "Jamie Fraser" from Honey Girl Farms and the beard and nose is "Adawehi" from the same. The cabling on the body may be a bit lost in the variegation, but I am pretty pleased with how he turned out. He looks very outdoorsy. Like I want to give him a log to chop. And who knows? Maybe he is channeling a bit of the Jamie Fraser vibes. He'll have a Scottish accent, for sure. 

still going...

I started this knitting project in early January - Epiphany, to be exact. I cast it on as something simple to take to my first foray into the local yarn store's knit night. It's another design from Melanie Berg and another epic journey through an ombre cake of fingering weight yarn that is more than 1000 yards long, similar to my North Sea Ombre wrap that took me two year to finish. 

 

This is where it was when I pulled it out this weekend in the front garden of the place we stayed in Petaluma. I've got a ways to go yet, but the blue has started to shade into purple! The end is in sight, but the rows get longer... it may never end! 

Petaluma

This past weekend brought a getaway trip to Petaluma, which is a charming place in a beautiful part of the Bay Area. I liked it so much I wondered if it was a mild place to live during the summers... worth considering for the long term daydream!

One of the great things about it was the small town feel, made even better by the presence of a great quilt shop. Quilted Angel was a small but mighty space, as so many quilt shops here are, with a wide array of beautiful fabrics, lots of patterns, and a bunch of lovely quilts on display. It also looked like they had a classroom space in the back. The shelf above was my favorite, full of Ruby Star Society fabrics. I also have to mention that the folks there were very friendly. The woman who checked me out gave us a great recommendation for a day trip out to Bodega Bay complete with directions to a delicious crab and lobster themed lunch spot. 

Our last day in town found us at the local yarn store, Fiber Circle Studio. This was a great space with lot of beautiful things. I took these pictures below for my friend Sam who was interested in what kinds of options there were for loom-compatible yarn. The colors are just gorgeous. 

I of course struggle to leave any quality crafty establishment without purchasing something, and I was on vacation so the excuses to splurge a little were abundant. I did not intend to get thematically matching items, but here we have it. I was in a poppy, plum, and teal mood. Quite a nice combination, actually! 

Bay Area yarn crawl

Oh boy did we have fun! Sam and I cavorted all around the Bay Area, from Morgan Hill all the way out to Livermore and back through San Jose, picking up yarn as we went. I think in the end we went to 5 or 6 shops, most of which were new discoveries and some of which I expect will become regular (if infrequent) spots for me. This came at a time when I definitely did not need more yarn, more projects, more ideas, or anything of the sort. But what a fun chance to head out with a friend for a day of crafty bonding and mutual enabling. 

I think I picked up something at each spot we went to, and with one exception (those gorgeous purples) I do have a project in mind for the yarn I chose. The cottons on the left may combine to be a Shift cowl of my own, the browns I hope might make a summery top, the bundle of lovely minis is a kit for a color work cowl, and the navy and coral I intend for another Hold Sway sweater. See? Justified. :) 

One of my favorite spots was In Between Stitches out in Livermore. It was also a quilt shop! Rather than buying fabric with no plan, I got myself a pattern for some really great totes they had on display. I am hoping this will help me with my goal of sewing smaller-than-a-quilt things this year, and the construction was quite unique so it was different enough from anything I already had. 

I think I have my work cut out for me for quite a long time at this point. I always feel slightly guilty after a stash infusion such as this, but also excited for the enjoyment of stitches to come. 

stitch markers for crawl

Bay Area Yarn Crawl is just around the corner, and I recently heard that there will be a stitch marker swap as part of the festivities. I've made some in the past, and this seemed like a great opportunity to dig into my miscellaneous beads and findings and see what I could come up with. 

These yarn hanks are really fun and unique. It's kind of a kick to contemplate all the different colors of yarn on the shelves of a yarn shop and to recreate them in miniature. I have a lot of DMC floss from a very long time ago, and these variegated colors haven't been that useful to me in stitching but are the perfect mini hand dyed yarn. 

These little sparkles look just like oblong skeins of yarn to me. The silver findings in the middle give the impression of the label and the jewels on the end are the squishy yarn bits. 

And of course I couldn't pass up the chance to add some of my sunflower charms to a few. These lovelies are combined with the sparkly yarn skeins and millefiori heart beads to make longer charms that should hang quite nicely. 

I made markers on several different sizes of rings and even included a couple of safety pins (saved from clothing!) to accommodate use in crochet. I'll have to find a good box or tin to pop these in for carrying around during the yarn crawl. No idea how this will go, but it was certainly fun to revisit stitch marker making!

gnibblets

These are possibly the tiniest things I have ever made and perhaps the cutest. I can't even. TINY GNOMES!!!

When Sarah Schira mentioned in her gnome workshop I took last month that there was a tiny gnome pattern for earrings I pretty much decided right then that was going to be my March gnome-of-the-month. As one might expect, these were *extremely* fiddly to knit for me. Some people may like small numbers of stitches on multiple needles. I'm not one of them. But it was only like 14 rounds and the end result is so worth it that I did it four times. 

Finding the earring hooks in my stash was not hard, and it took just a few attempts (and a couple broken ones) to get these little Gnibblets hooked up and ready to hang. Aren't they just amazing? I will be wearing my green guys on St. Patrick's Day, for sure. 

shift begun

True to my intentions, I started a new thing. This little corner has grown in the last few weeks from this... 

... to this! I was a little intimidated to take this to knit night because talking and knitting on a piece where I had to refer to the pattern seemed like an invitation for mistakes, but it's been totally ok and no harm done yet. I'm really enjoying the color changes of the variegated yarn, the weight of the cotton, and the surprising ease of the pattern. It is quite well written.

I've also learned how to do an I-cord edging, which looks so very satisfying marching up the side. There will be a seam in the end, but I expect that the way the seamed edge is set up that it will go together cleanly. Enjoying each row as it comes for now!

 

stash diving

Inspired by my recent foray back into knitting on something that isn't the wrap I was working on forever, I revisited my Ravelry queue, my yarn stash, and my brain to see what is next. I have already started a new shawl when I decided to be brave and go to knit nights at my LYS. Having monogamously knit the last wrap, I'm feeling it's going to be more fun for me to have a few things going and plans for others that I can start when I feel momentum stalling. 

Voila. I wound a bunch of yarn. It always seems like more effort than it actually is to set up the swift and winder. It really is only as slow as clearing off the table is, and it's so magical to do the winding. Plus, it's a good thing to visit one's stash when one is spending one evening a week at a yarn shop surrounded by beautiful skeins! 

These three cakes will find themselves transformed into a Shift cowl. Mom picked out the colors after we saw one made up in the LYS and I think it's going to a be a fun one to work on. And all cotton! 

I have had this kit for a Quadrant cowl for some time. I think Dave and I bought it on our last trip down to Pacific Grove together. Can't wait to work it up. The yarn has some silk in it that makes it have a lovely sheen, and I unexpectedly love that light blush color. What is the world coming to when I like a neutral?? 

I wound up this skein of redwood color today, but the iris leftover is the same yarn that I used for a hat not long ago. I am considering making the same hat with the redwood and maybe adding a brim stripe of the iris. The combination is quite something and may be just the thing to make that orange-y color look good on me. 

gnoah the first

You guys. It happened! The gnome workshop this weekend was so. much. fun. And look at the little guy that came home with me - so much whimsy packed into this little dude. 

Sarah was friendly, well spoken, and has a knack for teaching. A lot of techniques are packed into this pattern, and I was able to follow her instruction quite well and was grateful for the chance to see it done in parallel and hear her useful tips along the way. Her love of the craft and of the little personalities we were bringing to life was apparent, and I was charmed both by her designs and her reflections on how magical her path had been to bring her to the point that she is doing and loving what she's doing now. 

It was a companionable experience to sit in a room full of knitters all puzzling over the same pattern, helping each other with questions, and generally cheering each other on. Marinating in the atmosphere of Just Having Fun was a wonderful way to spend the afternoon. I have been enjoying social knit nights at the shop for a few weeks now, and this experience was right in line with the supportive community of women I have met there. This place is a gem and a gift to my crafty heart. 

As to the project, I was intrigued by the clever use of i-cord, the relative ease of sewing all the bits on (despite my normally extreme dislike of fiddly bits like that), and the many ways a bobble can be fashioned to make a nose. Gnoah came together relatively easily for me, and I am definitely planning on enjoying and being challenged by each of the patterns out of Sarah's book. 

When I got home and started messing around with his hat and stance, I decided what he really wanted was a walking stick. I had cut some rosemary for a flower arrangement on my way inside, and one of the leftover twigs was the perfect size. He makes me smile! Which is of course the point of it all, isn't it. 

trippy tropical table runner, finished

Having started this the last day of my winter time off I am pleased to say that it did not take me too long to cross the finish line. It hung around on the wall for a few weeks while I procrastinated backing, basting, and quilting, but of course none of that was nearly as cumbersome as big quilts are. I took some brain breaks from work yesterday and quilted squiggly lines using a preset stitch on my machine with some pretty deep turquoise thread. I wasn't sure whether I wanted to do those lines across the width or down the length, but I'm glad I chose the long dimension. I think it plays with the movement of the hexagon braid nicely. 

The backing I pieced from a combination of Folk Song and Loulouthi fabric from Anna Maria Horner - I have always loved her designs! That striped wallpaper-like floral was a leftover from a quilt kit that mom and I finished up together for her birthday in 2015, and the blue floral is the sister print to the green border print on the front. 

Whenever I have looked at this piece, it has brought my mind to flip flops and summertime. The combination of colors reminds me so much of being at the Caribbean Resort at Disney World, so I'm dubbing it the Trippy Tropical table runner. Pretty soon I'll be packing it up and sending it off to brighten my mom's table! 

kaffe the red

I'm very excited to have splurged on myself for a workshop early in February to learn to knit gnomes. Mom and I walked into my LYS in November and were greeted by the most. adorable. knitted gnomes who were scattered among the shelves. A few weeks later I noticed the pattern designer was going to have a workshop to teach gnome making. The folks that run the store are really friendly, so it seemed like a great way for me to continue exploring town and perhaps meet a few new people. I signed up. Fast forward a couple months and I saw an announcement on instagram (totally serendipitous, I spend like zero time on that platform) that the designer is having a Year of Gnomes to-do on her Ravelry page where the idea is to try to make one gnome a month. That seems fun and achievable so I figured I'd give it a shot. I want to wait until the workshop to learn how to make the 3d gnomes, so I bought her pattern for a cute cup cozy. It turns out that the YoG only counts for the 3d guys, but that's ok. I can do the rest of the months and this was a fun thing to knit! 

I dug through my yarn stash to find some leftovers that I thought had enough contrast for the gnome to show up and went to work. It was so fun I had a hard time putting it down - thankfully a lot of my work that day was able to be done with yarn in hand, so by the evening I had a cozy finished and ready to block. This was a fun, low pressure way to remind myself that I need to be careful about how I tension yarn when I'm doing color work and trying to hold both colors at once. The yarn in my right hand ends up tighter than the one I hold in my left, and things get a little out of whack. It's nothing that made the cozy not coze, but something I definitely messed around with while I was blocking. 

The end result is super cute (here finishing blocking on a cup), and if I make more I might consider going down a needle size to make up for my looser knitting. It fits on my travel mug, but is a little bit big likely because I was trying to knit loose enough that I didn't have my floats too tight. No big deal. I am calling him Kaffe the Red because the orange beard obviously means he's a redhead. 

Pattern: Gnome Need to Thank Me by Sarah Schira (my Ravelry page)

Needle: 2.5 mm and 2.75 mm

Yarn: madelinetosh Tosh Merino Light in Terra, Berroco Ultra Alpaca in Blueberry Mix, and Greenwood Fiberworks Yakity Yak in Lime - three animals in one cozy! 

glamour shots to catch up

While I was out photographing my North Sea wrap yesterday, I decided to take advantage of the beautiful day and great lighting to take pictures of some knit pieces that I have finished since 2021 (and also a way better picture of my Shetland shawl than I had).

Shetland shawl August 2017 - June 2019. Literally one of my favorite things I've ever made and I never took very good photos of it. It's 6 feet square, so that's a challenge. It's folded in half here the way I've been wearing it. 

Phoenix started week 22 of pandemic, according to blog post titles (August 2020) and finished Aug 16 2021which is the day after I went back to work.

This is a pattern out of my Colorwork Shawls book by Melanie Berg and made with some beautifully hand dyed wool and silk yarn from a woman I met at Stitches West the one time I went. The stripes between the green and blue yarn didn't workout quite as well as I imagined, but the wash of color against the bright orange is still pretty and you can still see the interesting geometry of the sideways construction. 

Scarf of my own design Feb 20 - Mar 27 2022. Very cozy yarn from Monarch Knitting in Monterey. I can remember purposely choosing a combination of colors that I don't normally wear. 

Unlike many of the wool-based knits I make, this one feels good on my skin and doesn't seem to irritate it if I wear it a long time. It's extremely soft, and I wonder if I'd ever be brave enough to knit a sweater with it. 

This crochet blanket was a fun thing I made in April of 2022. I can't remember how, where, or why I got this yarn but I suspect the pattern may have been something from the label. 

I made the blanket shorter than was called for and got to play with making some wonderfully dense pompoms to add onto the ends using the rest of the yarn. It's a great blanket for the couch, and those pompoms never get old. 

Fractured is a cowl that Dave picked colors out for a while back on one of our trips down to Monterey. It's Brooklyn Tweed yarn from Monarch Knitting, and I finally cast it on this past year and worked on it sporadically from January to December.

I started it in January intending to have it done for his birthday in February, but it was slower going than I hoped. I blocked it out over the holidays and am amazed at how much everything evened out. It looks great and I'm hoping it suits his oceanside lifestyle.